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His debut album, In the Lonely Hour, is richly and deliberately pop, as expected from an artist who’s long been made-up for the masses.
But pairing up with Disclosure (and later, with Naughty Boy on the #1 UK hit “La La La”) added a contemporary edge to Sam Smith that made him sound, for once, as young as his age. His voice is inherently traditional and lends itself to old standards he has covered Judy Garland, Frank Sinatra and Chaka Khan to great effect. It was a breakthrough made possible by something Smith hadn’t yet explored musically: contrast.
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That voice provided a runway for “Latch” to crack the UK Top 20 and charmed Capitol Records president Nick Raphael, who signed him. Smith was still unsigned at the time, but co-wrote “Latch” that same year, a collaboration with the house duo that featured his brawny and luscious falsetto. Together, they wrote “Lay Me Down,” a forlorn ballad that Napes forwarded to Disclosure’s managers in 2012. Smith moved to London at the age of 18 and tended bar in Essex, where he met songwriter Jimmy Napes. (Smith denies his mother’s over-involvement.) His formative years were spent pursuing fame, but it eluded him, leaving him with a persistent desire for the things he couldn’t have-love included. When he was 16, his mother was fired from her job for “gross misconduct,” after supposedly spending too much company time on his budding pop career.
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Meanwhile, burgeoning reality TV singing competitions like American Idol and Britain’s Got Talent were rocketing common folk with uncommon voices to stardom.
From the age of 12, Smith’s career was handled by six different managers, with guarantees of fame that never came to pass. Much of his childhood and adolescence, thereafter, was spent in theater rehearsals his mother, then a prominent banker in London, often asked her son to perform for friends and associates at dinner parties.
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Most of the time, he seems far beyond his years, with a 6’4” frame, a polite eloquence and a subtle, mischievous charm that stems from a near lifetime of professional grooming.īorn in the rural county of Cambridgeshire, England, Smith was placed in formal vocal training with a local jazz singer at the age of 8, after his parents heard him singing along to Whitney Houston’s “My Love Is Your Love” one morning on the drive to his Catholic primary school. Moments like this remind you of Smith’s age it’s easy to forget that he’s only 22. He filters the photo and Instagrams it immediately. “I’m sorry, I just have to take a picture of this,” he says, pulling out his iPhone. His sea blue eyes dart between his hands and the view of Kurfürstendamm, which rolls on endlessly. Dissecting differences between European and American audiences, he talks blithely, with an appreciable daze incurred from crossing so many datelines.
Sun ping-pongs off the skyline beneath the 11th floor of a hotel in West Berlin as Sam Smith cups his cappuccino and counts the cities he’s visited in the last 10 days: New York, Chicago, Toronto, Los Angeles, Sydney, London and Amsterdam. This is the third of four covers from our annual Summer Music issue. From the magazine: ISSUE 92, June/July 2014.